• Kyle Gillette is the Special Adviser to the Provost for Expression 和 Civil Discourse. In this capacity he helps promote academic freedom, freedom of expression 和 conversations across differences. 他是感知的主人, where he has conversations with 澳门金沙线上赌博官网 people about how they experience, 表达和理解世界. ​He has also served as the Acting Dean of Arts 和 Humanities, the Director of 剧院 和 a Professor in the Department of 人类交流与戏剧. His courses range from theatre history 和 dramatic literature seminars to performance laboratories where students reimagine ancient tragedy, explore modern realism or experiment with avant-garde manifestos.

    凯尔写了三本书: 看不见的城市 (劳特利奇,2020), 现代剧院中的铁路旅行 (McFarl和, 2014) 和 a slim volume on 桑顿·怀尔德’s 我们牙齿的皮肤 (劳特利奇的《澳门金沙赌城线上游戏》系列，2016年). His scholarship, essays 和 shorter texts have been published in 看不见的城市 和 城市的想象力 本杰明·林德编辑(Palgrave出版社，2022年)， 想象的剧院 丹尼尔·萨克编辑(劳特利奇出版社，2017年) 皮兰德罗的视觉哲学 edited by Lisa Sarti 和 Michael Subialka (Fairleigh Dickinson UP, 2017) as well as in several academic journals,包括 Performance 研究, Modern Drama, Comparative Drama, the Pir和ello Society of America 和 美国戏剧与戏剧杂志. Dr. Gillette has published reviews of books 和 performances in the 当代戏剧评论，戏剧调查 和 剧院杂志.

    As a theatre director Kyle has worked on plays ranging from ancient tragedy 和 comedy (by Aeschylus, Euripides 和 Plautus) to modern classics (包括 texts by Bertolt Brecht, Stanislaw Witkiewicz, 桑顿·怀尔德, 田纳西·威廉姆斯, 塞缪尔·贝克特, Sam Shepard) 和 more recent plays (by Paula Vogel, Suzan-Lori公园, 拿俄米Iizuka, 将Eno, 贝斯沃尔, 雷切尔·约瑟夫和其他人). He has also co-developed several devised works 和 site-specific performances.

    在澳门金沙线上赌博官网之前. Gillette taught as a Postdoctoral Teaching Fellow in Stanford University’s Introduction to the Humanities program 和 taught Cultural 研究 for the American Conservatory Theater's MFA in Acting. 他教过, assistant-directed 和 helped develop summer programs held at Oxford University 和 UC Berkeley. 他获得了博士学位.D. 在斯坦福大学.

    • Ph.D.斯坦福大学
    • B.A.澳门金沙赌城线上游戏

    书

    • 看不见的城市: 旅行, Attention 和 Performance (London 和 New York: Routledge, 2020).
    • 桑顿·怀尔德’s 我们牙齿的皮肤, Fourth Wall (London 和 New York: Routledge, 2016).
    • 现代剧院中的铁路旅行: Transforming the Space 和 Time of the Stage (Jefferson, NC:麦克法兰, 2014).

     

    章

    • ​“Visible Cities: Calvino in Performance,” 看不见的城市 和 城市的想象力 ed. Benjamin Linder (Cham, Switzerl和: Palgrave Macmillan, 2022).
    • ​“’My Portrait Come to Life’: Visions of Self in Pir和ello’s Henry IV” in 皮兰德罗的视觉哲学, ed. Lisa Sarti 和 Michael Subialka (Madison, NJ: Farleigh Dickinson University Press, 2017).
    • "Realism"; "Imagined Cities: after Calvino"; 和 "Triptych" in 想象的剧院: Writing for a Theoretical Stage, ed. Daniel Sack (London 和 New York: Routledge, 2017).

     
    文章

    • “Six Characters in 搜索 of a Legacy,” Pir和ello Society of America 33 (2020-21).
    • ​“Poor Things: Naturalistic Props 和 Death of American Material Culture in Sam Shepard’s Action,《澳门金沙赌城线上游戏》25.2(2013年春季).
    • ​“Zen 和 Art of Self-Negation in 塞缪尔·贝克特’s Not I,” Comparative Drama 46.3(2012年秋季).
    • ​“Improvising New Rituals for the Bacchae,” 剧院/Practice 1.1(2012年春季).
    • ​"Upholstered Realism 和 Great Futurist Railroad: Theatrical ‘Train Wrecks' 和 Return of the Repressed,绩效研究15.2(2010年夏季).
    • ​“Loco Motion: Railway 感知, Relativity, 和 Stage,” Performance 研究 12.2(2007年夏季).
    • ​“’A Hole in the Paper Sky’: Psycho-Scenographic Rifts in Pir和ello’s Henry IV,” Modern Drama 48.1(2005年春季).
    • 戏剧文学
    • 城市研究
    • 旅行
    • 感知
    • 哲学
    • 性能的研究
    • Chair of the Advising 和 Registration Committee 
    • 澳门金沙赌城线上游戏出版社编辑委员会 
    • 组建强大的QEP实施团队 
    • 集体阅读评选委员会 
    • 梅隆督导委员会 
    • 高等教育戏剧协会 
    • 美国戏剧研究学会 
    • 国际表演研究